BOOKS: MONOGRAPHS, EXHIBITION CATALOGS AND FILMS
| MONOGRAPHS | |
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Enrique Martínez Celaya. Working Methods/Métodos de trabajo. (Barcelona: Ediciones Polígrafa), 2012. Text by Mary Rakow and Matthew Biro with a conversation between Leo A. Harrington, Mary Rakow and Enrique Martínez Celaya. 168 pages, 106 illustrations in color, Hardcover. |
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Martínez Celaya. Early Work. (Delray Beach, Florida: Whale & Star Press), 2006. Text by Daniel A. Siedell, Thomas McEvilley, Christian Williams, Enrique Martínez Celaya and John Felstiner. 392 pages, 315 illustrations in color, Hardcover. |
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Enrique Martínez Celaya 1992-2000. (Cologne, Germany: Wienand Verlag), 2001. Texts in English and German by Charles Merewether, Abigail Solomon-Godeau, Howard N. Fox, Rosanna Albertini, Judson J. Emerick, Arden Reed and Colette Dartnall. 282 pages, 99 color and 90 black and white illustrations, Hardcover. |
| EXHIBITION CATALOGS | |
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Enrique Martínez Celaya: El Cielo de Invierno. (Barcelona, Spain: Galeria Joan Prats), 2012. Text by Daniel A. Siedell; translated in Spanish, English and Catalan. 40 pages, 16 illustrations, Softcover. |
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Martínez Celaya: Selected Work / Obra Selecta 1992 – 2010. (Miami, Florida: Gary Nader Fine Art), 2010. Text by Carol Damian and Lisa Tamiris Becker. 180 pages, 50 illustrations, Hardcover. |
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The Wanderer: Foreign Landscapes of Enrique Martínez Celaya. (New York, New York: Museum of Biblical Art), 2010. Text by Ena G. Heller, Ivan Gaskell and Daniel A. Siedell. 80 pages.16 illustrations. Softcover. |
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The Palace. (Aspen, Colorado: Baldwin Gallery), 2009. Text by Enrique Martínez Celaya. 63 pages. 18 illustrations. Softcover. |
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An Unfinished Conversation: Collecting Enrique Martínez Celaya. (Boca Raton, Florida: Boca Raton Museum of Art), 2009. Text by Martin Brest, Wendy M. Blazier and Daniel A. Siedell. 64 pages. 19 illustrations. Hardcover. |
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Daybreak. (Venice, California: LA Louver Gallery0, 2009. Text by Enrique Martínez Celaya. 55 pages. 22 illustrations. Hardcover. |
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The Lovely Season. (Sydney, Australia: Liverpool Street Gallery), 2008. Text by Enrique Martínez Celaya. 63 pages. 29 illustrations. Softcover. |
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Nomad. (Delray Beach, Florida: Miami Art Museum in collaboration with Whale & Star Press), 2007. 128 pages. 56 illustrations. Hardcover. |
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Another Show for the Leopard. (Aspen, Colorado: Baldwin Gallery), 2007. 96 pages. 66 illustrations. Hardcover. |
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Six Paintings on the Duration of Exile. (Taura, Japan: Akira Ikeda Gallery), 2007. 24 pages, 8 illustrations, Softcover. |
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Shore: Is today yesterday. (Berlin, Germany: Akira Ikeda Gallery), 2006. Text by Enrique Martínez Celaya. 42 pages, 29 illustrations, Softcover. |
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Poetry in Process. (Boulder, Colorado: CU Art Museum), 2004.Text by Lisa Tamiris Becker. 112 pages, 64 color illustrations, Hardcover. |
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All the Field is Ours. (Santa Monica, California: Griffin Contemporary), 2003. Text by Thomas McEvilley. 60 pages. 34 illustrations. Softcover. |
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The October Cycle: 2000-2002. (Seattle, Washington: Marquand Books in association with Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska-Lincoln), 2003. Text by Daniel A. Siedell. 96 pages, 22 illustrations, Hardcover. |
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Pinturas de Merced. (Monterrey, Mexico and New York: Galeria Ramis Barquet), 2000. Text by Charles Merewether. 54 pages. 22 illustrations in color. Softcover. |
| FILMS | |
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Enrique Martínez Celaya: Home Movies. (Los Angeles, California: East Wind Productions), 2009. Filmed and edited by Christian Williams. 50 minutes. Color. |
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Consider This: Enrique Martínez Celaya. (Omaha, Nebraska: UNO Television), 2008. 30 minutes. Color. |
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Enrique Martínez Celaya: Studio Days. (Venice, California: Media Art Services), 2001. Filmed and edited by Peter Kirby. 30 minutes. Color. |
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Enrique Martínez Celaya: Schneebett. (Miami, Florida: Common Machine), 2011. Filmed and edited by Jorge Rubiera. 9 minutes. Color. |