BOOKS AND VIDEOS
The Lovely Season Liverpool Street Gallery, Sydney, Australia 2008. Text from The Lovely Season: an excerpt from a conversation between Thomas Hoveling and Enrique Martínez Celaya. Artwork by Enrique Martínez Celaya. 62 pages. 34 illustrations, 16 in color. Softcover. Nomad Miami Art Museum/Miami, Florida 2007. Text by Peter Boswell. Artwork by Enrique Martínez Celaya. 128 pages. Full color. Hardcover. Enrique Martínez Celaya "another show for the leopard" Baldwin Gallery/Aspen, Colorado 2007. Text and Artwork by Enrique Martínez Celaya. 92 pages. Full color. Hardcover. Enrique Martínez Celaya "Six Paintings on the Duration of Exile" Akira Ikeda Gallery/Taura, Japan 2007. Artwork by Enrique Martínez Celaya. 24 pages. 8 illustrations, 6 in color. Softcover. Martínez Celaya. Early Work Whale and Star Press, Delray Beach, Florida 2006. Text by Daniel A. Siedell, Thomas McEvilley, Christian Williams, Enrique Martínez Celaya and John Felstiner. 392 pages. 315 illustrations in color. Hardcover.
Enrique Martínez Celaya "Shore: Is today yesterday"
Akira Ikeda Gallery/Berlin, Germany
2006. Text and Artwork by Enrique Martínez Celaya.
42 pages. 29 illustrations, 19 in color. Softcover.
Poetry in Process
CU Art Museum, Boulder, Colorado
2004. Text by Lisa Tamiris Becker. Artwork by Enrique Martínez Celaya.
112 pages. 64 color illustrations. Hardcover.
All the field is ours
Griffin Contemporary, Santa Monica, California
2003. Text by Thomas McEvilley. Artwork by Enrique Martínez Celaya.
60 pages. 34 illustrations, 31 in color. Softcover.
The October Cycle, 2000-2002
Marquand Books, Seattle, Washington
(Published in association with Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska-Lincoln)
2003.Text by Daniel A. Siedell. Artwork by Enrique Martínez Celaya.
96 pages, 22 illustrations. Hardcover.
Guide Whale and Star Press, Los Angeles, California (Published in collaboration with Griffin Editions and Mark Hasencamp) 2002. Artist book. Text and Photographs by Enrique Martínez Celaya Volume I, the text, 140 pages. Volume II, a suite of 10 original black and white photographs. Edition of 60. Hardcover volumes and slipcase.
Enrique Martínez Celaya 1992-2000 Wienand Verlag, Cologne 2001. Texts in English and German by Charles Merewether, Abigail Solomon-Godeau, Howard N. Fox, Rosanna Albertini, Judson J. Emerick, Arden Reed and Colette Dartnall 282 pages. 99 color and 90 black and white illustrations. Hardcover.
October Cinubia, Amsterdam 2001. Poetry and Photographs by Enrique Martínez Celaya 64 pages. 34 illustrations. Softcover.
Enrique Martínez Celaya Galería Ramis Barquet, New York, New York 2000. Text by Charles Merewether 54 pages. 22 illustrations in color. Softcover.
Paintings of Mercy Rena Bransten Gallery, San Francisco, CA 2000. Text by Collette Chattopadhyay 18 pages. 15 illustrations in color. Softcover.
Unbroken Poetry: The Work of Enrique Martínez Celaya Whale and Star Press, Venice, California 1999. Text by Anne Trueblood Brodzky 112 pages. 78 illustrations, 53 in color. Hardcover.
Berlin, The Fragility of Nearness Griffin Contemporary, Venice, California 1998. Texts by Abigail Solomon-Godeau, Peter Frank and M.A. Greenstein. Poem by Enrique Martínez Celaya 96 pages, 62 illustrations, 16 in color.
Berlin Stephen Cohen Gallery, Los Angeles, California 1999. Texts by Stephen Cohen and Enrique Martínez Celaya. Poems by Enrique Martínez Celaya 84 pages, 26 illustrations. Hardcover. Out of print.
Works on paper and sculpture Luigi Marrozzini Gallery, San Juan, Puerto Rico and Griffin Contemporary Exhibitions, Venice, California 1997. Poems by Enrique Martínez Celaya 40 pages, 14 illustrations, 12 in color.
Enrique Martínez Celaya, Interview with Howard Fox, LACMA Whale and Star, Los Angeles, California 2000. One hour. Color.
Enrique Martínez Celaya, A Walkthrough with the Artist at The Contemporary Museum, Honolulu Whale and Star, Los Angeles, California 2001. Two hours, Forty minutes. Color.
Enrique Martínez Celaya, Studio Days Media Art Services, Venice, California 2001. Filmed and Edited by Peter Kirby Thirty minutes. Color.