The Hand


When I cut my left hand the words from the Hagakure, “At that time is right now,” came to mind. As I looked at the hand, life was both—and not contradictorily— more factual and more dreamlike, and what was happening was no longer in the future but right there. The first part, the taking off the glove, was the hardest. Once I had seen it, there was nothing but coming to terms with things.
It happened while I was carving a large wood sculpture. I was going back and forth between a chainsaw and a high-speed grinder equipped with a chainsaw blade, which allowed me to move quickly through the wood. I almost remember the moment when my hand touched the blade but I remember better the moment just before and just after.
My life will soon continue, more or less, as it was. The turn, however, did happen; in my case a minor turn, for which I am grateful. The turn has been worse for others. In the ambulance I couldn’t stop thinking about the people losing body parts in Iraq—the American soldiers, the Iraqis, the children. The images that came to my mind seemed then—as they do now—unjustifiable by any policy or by any excuse.
Right now, someone, somewhere, holds on to his or her dismembered leg, arm or hand, or to the dismembered part of a daughter, a father, or a friend. That we can know that and continue on with our banal lives clearly says something about the machinery of survival.
Labels: Ramblings
4 Comments:
My sincerest wishes of healing to you and your family. Both Nathan and my father-in-law have suffered grisly hand injuries. That would have been a dreadful day to witness at the studio. Such a thin veil just before to just after.
Sarah
i remember the first....albeit short...exchange i had with you at the ranch. it was at the lunch table, and concerned keeping our hands safe.
heal quickly and best wishes.
terri
Hola Enrique, conmovedora situacion e impresionantes fotos. Te deseo no haya sido una herida muy grave y pronta recuperacion.
Saludos,
Rafael
Enrique - I'm in the middle of the "Brothers Karamazov". Ivan is speaking to his brother about suffering, particularly the suffering of children. Ivan is firm that if there is to be innocent suffering he is not willing to go along with a cultural assumption of harmony (or God)even though he is a believer. In other words he is not prepared to enter into a harmony that would would leave one who suffers behind, or that excuses human violence. There is a way that creating artworks attends to this dilemma, not in any theraputic way, but as direct expression. Your hand injury, and the acknowledgement of loss and suffering, how we go on with our "machinery of survival" seems to point to how we hide or move away from pain. The movement away is natural. I am brought back and reminded - set to work - by reflection,reading, conversation, and viewing artworks that hold this tension of suffering in harmony.I trust you are on the mend. Jen
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